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If you’d like to attend the launch on Thursday evening online, you can book free tickets here
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- I didn’t want to be a poet. Of course I didn’t, I wanted to be a rich writer. I started out writing short stories – which were terrible; novels – more on that later; and newsy opinion-piece articles I pitched unsuccessfully to lifestyle websites.
- I had a novel published by a small press, but it took a lot out of me. The process was tough. I’d been promised a full edit but only got a brief proof-read. After publication, I quickly lost confidence in the work. The book did OK, but no better than that – it’s now out of print.
- There were times when I didn’t want to write at all. But I did want to write. I love it, I hate it, that sort of thing. Then I ‘allowed’ myself to write poetry, and realised I was pretty good at it.
- The quote ‘ain’t no money in poetry’ is fiercely accurate. If I sell all of the available pamphlets, I will make less than £100. That said, there are other ways poets can make money: awards, residences, paid commissions, workshops. But you are competing with ALL the poets for these, not just the early career ones.
- I don’t get to choose what I write about. Julia Cameron, who wrote The Artist’s Way, helped me to understand this. ‘If I have a poem to write,’ she says ‘I need to write that poem whether it will sell or not.’ Although, as stated, selling it might not bring untold riches either!
- I struggle to take up space. My early poems literally took up less of the page. I would write in tiny
She blogs at #atinylife140 tweets at @atinylife140, Instagrams as stella_hb and can be found on Facebook here.
like I was afraid
to be noticed.
- A lot of submission calls have a 40 line limit. So I had to wean myself off those skinny poems. Now I love the freedom of the whole line.
- A pamphlet is a step towards a full collection. I’ve been looking for a publisher for various versions of Parent. Worshipper. Carrion. for about a year. Which, when you compare with four years working on my last novel, which is now in a drawer, is small change.
- I submit my work relentlessly. Writers will tell you that one acceptance in seven is average.
- It wasn’t the plan, but it turns out I am a poet. Soon after I started submitting poems, my acceptance rate started to rise. Last year it was one in five.
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short lines
You can order Stella’s poetry pamphlet here. One third of the proceeds go to Mermaids UK.
I’m very pleased to be joined by poet Stella Hervey Birrell today. I first met Stella when we were in contact about her novel. How Many Wrongs Make a Mr Right. I read and reviewed it (here) and we did a couple of book events together. As you’ll find out below, Stella has now shifted her focus to poetry and is about to have a pamphlet published with its launch this Thursday evening. Read on to find out more about that.